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Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company

Have you ever looked around at your life and wondered, Is this it?

That quiet, unsettling feeling of being stuck, questioning whether the sacrifices you have made were worth it and watching the years pass while the dreams you once had seem to drift further and further out of reach.

It is a feeling at the very heart of Melbourne Theatre Company’s production of Uncle Vanya, now playing at the Playhouse at Arts Centre Melbourne.

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Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company
Image: Catherine Van-Davies, Evelyn Krape, Fayssal Bazzi, Philippa Northeast, Daniel Henshall, Don Bridges, Shaun Micallef, Photo: Pia Johnson

What is Uncle Vanya about?

At the centre of the story is Ivan Petrovich Voynitsky, known as Uncle Vanya, who has spent years managing the family estate alongside his niece, Sonya. Together, they work hard to support Sonya’s father, the retired Professor Serebryakov, who lives a much more comfortable life in the city.

Vanya has sacrificed much of his own life to support the professor and the estate. But when the professor and his much younger wife, Yelena, arrive to stay, the quiet routine of the estate is thrown into chaos.

Vanya falls in love with Yelena. Dr Astrov, the local doctor and an outspoken advocate for protecting the environment, is also attracted to her. Meanwhile, Sonya is secretly in love with Astrov, who barely seems to notice her feelings.

Suddenly, almost everyone is in love with someone who does not love them back, creating a wonderfully messy web of longing, jealousy, regret and frustration.

When the professor announces plans to sell the estate; the home that Vanya and Sonya have devoted their lives to maintaining, the tension finally reaches breaking point.

A classic story with modern relevance

Although Anton Chekhov wrote Uncle Vanya in the late nineteenth century, its themes feel remarkably current.

Joanna Murray-Smith’s adaptation brings the language into the present without losing the essence of Chekhov’s story or characters. Under the direction of Melbourne Theatre Company Artistic Director and CEO Anne-Louise Sarks, the production brings this fresh adaptation to life with a strong visual style and a sharp understanding of the play’s comedy and heartbreak.

Chekhov is often associated with tragedy and melancholy, but this production embraces the comedy just as enthusiastically as the heartbreak. That balance is one of the production’s greatest strengths.

Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company
Image: Carolyn Bock, Philippa Northeast, Evelyn Krape, Daniel Henshall, Don Bridges, Catherine Văn-Davies, Shaun Micallef Photo: Pia Johnson

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Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company
Image: Carolyn Bock, Philippa Northeast, Evelyn Krape, Daniel Henshall, Don Bridges, Catherine Văn-Davies, Shaun Micallef Photo: Pia Johnson

An incredible cast

The cast of Uncle Vanya is outstanding, with every actor bringing something distinctive to this wonderfully dysfunctional group of characters.

Daniel Henshall is fantastic as Vanya, capturing his frustration, regret and growing desperation while also finding the humour in a man who suddenly realises he may have spent his entire life working for someone else.

Catherine Văn-Davies brings a magnetic quality to Yelena, the glamorous young wife whose arrival sets the entire estate off balance.

Fayssal Bazzi is excellent as Astrov, the exhausted local doctor with a passion for forests, vodka and Yelena. He brings both warmth and eccentricity to the character.

Philippa Northeast is a standout as Sonya. Her performance is funny and incredibly endearing, while also capturing the painful loneliness of a woman who is desperately in love with someone who does not return her feelings.

Shaun Micallef is hilarious as Professor Serebryakov. His comic timing is impeccable, and he brings a wonderfully self-important energy to the professor.

The ensemble is completed by Carolyn Bock as Maryia, Don Bridges as Telyeghin and Evelyn Krape as Nanny, all of whom contribute to the production’s distinctive rhythm and comic energy.

Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company
Image: Daniel Henshall, Photo Pia Johnson

A Visually Stunning Production

One of my favourite elements of this production was the set design by Dann Barber. The stage moves between the outdoors and the interior of the estate, with trees and autumn leaves creating a natural setting before the walls move to reveal the family home. There is a sense that the estate itself is slowly closing in around the characters, mirroring their increasingly complicated relationships and the feeling that they are all trapped in lives they cannot quite escape.

I particularly loved the way the trees are used throughout the production. They become more than just part of the scenery, with Vanya using them as an outlet for his frustrations. The autumn setting also feels symbolic, with the falling leaves and dying trees echoing the characters’ own sense of stagnation, loss and lives that seem to be slowly slipping away.

The costumes were equally impressive. They stay true to the period while incorporating a contemporary edge, with influences from designers such as John Galliano, Vivienne Westwood and Ralph Lauren.

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Uncle Vanya Review: A Hilarious and Heartbreaking Chekhov Adaptation at Melbourne Theatre Company
Image: Philippa Northeast, Evelyn Krape, Photo: Pia Johnson

This was my first time seeing an adaptation of Uncle Vanya, and I was completely won over.

With its exceptional cast, sharp writing, stunning set design and thoughtfully considered costumes, this is an entertaining, moving production that brings Chekhov’s classic to life for a modern audience. Uncle Vanya presented by Melbourne Theatre Company is well worth seeing.

Uncle Vanya

21 Jul — 22 Aug 2026
Arts Centre Melbourne, Playhouse
Approx. 2 hours and 20 minutes, including an interval

Please note: Uncle Vanya contains occasional coarse language, mature themes and theatrical firearms. Recommended for ages 14+ / Years 9–12

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